allan kozinn
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PublishedNovember 10, 2016
Harold Stover’s original works for organ gently take hold of your attention
During his Noonday Concert on Thursday, Stover played three of his own scores whose strengths are in their subtleties.
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PublishedNovember 7, 2016
Music review: VentiCordi offers up the obscure with precision, spirit
Among the works the group played Sunday at Woodfords church was Erwin Schulhoff's Concertino for Flute, Viola and Double Bass.
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PublishedNovember 3, 2016
Concert review: Zapion presents Sufi, Turkish and classical Arabic styles
The group, founded by Bowdoin percussionist Eric LaPerna, plays Middle Eastern music that is deceptively complex.
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PublishedNovember 2, 2016
Concert review: Robert Moody leads Portland Symphony Orchestra bravely into ‘Bluebeard’s Castle’
In this semi-staged performance of the dark opera, the orchestra becomes a character all its own.
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PublishedOctober 31, 2016
Portland Early Music Festival explores the drama of Tancredi and Clorinda
The festival, just one weekend long, offered plenty for fans of fortepianos, lutes and early music, including Monteverdi's 'Combattimento.'
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PublishedOctober 17, 2016
Concert review: Despair and love make two parts of ChoralArt show
'Light Shines Eternal' told wrenching Holocaust stories then soothed listeners with a work of light and transcendence.
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PublishedOctober 13, 2016
Review: At ‘Becoming American,’ USM Chamber Singers offer space for contemplation
The talk on W.E.B. Du Bois and race in America delivered by Leroy M. Rowe was interspersed by spirituals.
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PublishedOctober 10, 2016
Concert Review: Portland Symphony Orchestra opens season with mission in mind
It continues the three-year Beethoven cycle, plays Respighi and offers a contemporary piece by American composer Mason Bates.
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PublishedSeptember 26, 2016
Review: Portland String Quartet pulls from dark currents for a compelling show
After a tricky warm-up, the quartet draws listeners into tales from history that are grim but not without hope.
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PublishedSeptember 21, 2016
Concert review: ‘Krazy ‘Bout Kotzschmar’ kept listeners guessing
Australian organist Thomas Heywood is hoping the Friends of the Kotzschmar Organ won’t continue to cut classical recitals from its lineup.
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