allan kozinn
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PublishedApril 10, 2017
Concert review: Back Cove festival highlights what’s in vogue
And, with a program that puts the spotlight on composers and blended music and poetry, that's a good thing.
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PublishedApril 1, 2017
Concert Review: Psalm 42 provides the canvas for multiple composers
St. Mary Schola's 'As Pants the Hart' explores how one text was interpreted over different centuries.
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PublishedMarch 24, 2017
Concert Review: DaPonte String Quartet masters Bach, Beethoven and Brahms
The 'Bees in Your Bonnet' concert repeats through Sunday.
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PublishedMarch 14, 2017
Robert Moody adds to ‘German Requiem’ to great effect
The Portland Symphony Orchestra's rendition was beautifully played with two short works as prelude.
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PublishedMarch 5, 2017
Opera review: Mature vocals do justice to Nicolai’s ‘Merry Wives of Windsor’ at USM
An enthusiastic young cast shows off the region's singing talent in USM's fully staged Opera Workshop performance.
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PublishedFebruary 27, 2017
Concert review: If any rock album belongs in an orchestral pops performance, it’s ‘Sgt. Pepper’
But the Portland Symphony Orchestra performance Sunday falls short, in part because of too much chatter.
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PublishedFebruary 26, 2017
Oratorio Chorale gives Bach star billing, but Schütz holds his own
'Bach +' makes a lively evening of the composers' funeral works.
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PublishedFebruary 15, 2017
PSO’s Rachmaninoff performance revives an old debate
Robert Moody conducts the abbreviated Rachmaninoff, touching on a long-standing controversy.
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PublishedJanuary 16, 2017
Guest David Neely conducts the Portland Symphony Orchestra with clarity
Could such a guest performance be a tryout?
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PublishedJanuary 10, 2017
Portland Chamber Music Festival showcases a political work, of sorts
Andy Vores' 'Dark Days,' which he wrote in response to the presidential election, hits some wrong notes deliberately.
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