https://preprod.pressherald.com/life/audience/page/156

Arts & Entertainment

Published
August 9, 2017

Bruce Springsteen making debut on Broadway

The Boss will perform songs from his career, interspersed with readings of his best-selling memoir 'Born to Run,' in the solo shows.
Published
August 9, 2017

Salt Bay Chamberfest opens with some things old, some things new

The Damariscotta festival continues with free lectures and community events through Aug. 19.
Published
August 6, 2017

Concert review: Alabama Shakes charms crowd with gritty blues-rock

The band's at its best as it delivers a boisterous, rattling sound.
Published
August 6, 2017

Deep Water: ‘Cynghanedd After Brueghel’ by Philip Carlsen

Maine poems, edited and introduced by Gibson Fay-LeBlanc.
Published
August 6, 2017

Elizabeth Atkinson’s ‘The Island of Beyond’ is a new, ready-made classic for young readers

A young boy, a whimsical elderly aunt, the Maine woods plus a little Edgar Allen Poe add up to an enthralling read.

advertisement

Published
August 6, 2017

Whodunit? Former Portland police detective knows whereof he writes

In Bruce Robert Coffin's latest mystery, a long list of people have good reasons to have finished off attorney Paul Ramsey.
Published
August 6, 2017

Portland museum gives us a monumental tribute to American sculpture

The Portland Museum of Art features work by Gaston Lachaise, Robert Laurent, Elie Nadelman and William Zorach.
Published
August 6, 2017

Society Notebook: Center for Grieving Children holds a soiree to expand its reach

The event was at Vinegar Hill Music Theatre in Arundel, an area of the state it hopes to provide more services.
Published
August 6, 2017

How a vineyard in rural Maine is booking big-name concerts

Savage Oakes Vineyard and Winery, a family-run business in Union, is evolving into an outdoor venue hosting such major acts as Graham Nash, Indigo Girls and Lyle Lovett, who will perform Aug. 13.
Published
August 6, 2017

Living with Lyme disease, a Brunswick artist saves his energy for his art

James Graham is often tired and riddled with pain, and expresses his frustrations and joy in gestural, abstract paintings.